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DTSTART;TZID=America/New_York:20250902T200000
DTEND;TZID=America/New_York:20250902T200000
DTSTAMP:20260411T085228
CREATED:20250829T024712Z
LAST-MODIFIED:20250829T024712Z
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SUMMARY:Glass Spells w/ Dark Chisme\, Breathe in Stereo
DESCRIPTION:Doors 7 PM | Show 8 PM \nALL AGES \nGlass Spells is a synth-pop band from San Diego\, California. The band is comprised of two members\, Anthony Ramirez and Tania Costello. Anthony is the instrumentalist of the group\, bringing his wide array of skills to the production of their unique sound. Tania is the vocalist\, providing the powerful and emotive lyrics and melodies that have become a hallmark of the band. Their music is a mix of modern synth-pop and retro-inspired sounds\, with an emphasis on dreamy atmosphere and infectious hooks. Together\, they have created a sound that is both innovative and nostalgic\, and has gained them a devoted fan base.
URL:https://wruw.org/event/glass-spells-w-dark-chisme-breathe-in-stereo/
LOCATION:Beachland Ballroom\, 15711 Waterloo Rd.\, Cleveland\, OH\, 44110\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://wruw.org/wp-content/uploads/2025/08/Glass-Spells.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250906T130000
DTEND;TZID=America/New_York:20250906T230000
DTSTAMP:20260411T085228
CREATED:20250808T143811Z
LAST-MODIFIED:20250816T005737Z
UID:760072-1757163600-1757199600@wruw.org
SUMMARY:Studio-A-Rama 2025
DESCRIPTION:
URL:https://wruw.org/event/studio-a-rama-2025/
LOCATION:WRUW-FM 91.1 Cleveland\, 11220 Bellflower Rd\, Cleveland\, OH\, 44106\, United States
CATEGORIES:WRUW
ATTACH;FMTTYPE=image/png:https://wruw.org/wp-content/uploads/2025/08/studio-a-rama-fb-cover.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250911T190000
DTEND;TZID=America/New_York:20250911T190000
DTSTAMP:20260411T085228
CREATED:20250523T023005Z
LAST-MODIFIED:20250523T023005Z
UID:759527-1757617200-1757617200@wruw.org
SUMMARY:Fu Manchu
DESCRIPTION:THU Sept 11\, 2025 \nGrog Shop presents Fu Manchu at The Mercury Music Lounge \nDoors 7 PM | Show 8 PM\nALL AGES \nOriginally formed in 1985 as a Black Flag-influenced hardcore punk band called Virulence\, FU MANCHU has since become one of hard rock’s most celebrated names. The band released its first single “Kept Between Trees” in 1990 and in the years following\, helped give rise to an iconic style of heavy music born out of the desert and tagged “stoner rock” alongside peers such as Kyuss\, Monster Magnet and Sleep. \nSince the band’s inception\, the quartet has built itself a fanatical army of loyal enthusiasts all drawn to the group’s guitar-driven sound and carefree lyrics centered on “old muscle cars\, choppers\, vans\, skateboarding and science fiction.” Over their career\, the band has released 13 albums and has performed to sold out audiences all over the world.
URL:https://wruw.org/event/fu-manchu/
LOCATION:Mercury Music Lounge\, 18206 Detroit Ave\, Lakewood\, OH\, 44107\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://wruw.org/wp-content/uploads/2025/05/Fu-Manchu.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250912T190000
DTEND;TZID=America/New_York:20250912T190000
DTSTAMP:20260411T085228
CREATED:20250801T011656Z
LAST-MODIFIED:20250801T011656Z
UID:759994-1757703600-1757703600@wruw.org
SUMMARY:Molly Tuttle w/ Town Mountain\, Cecilia Castleman
DESCRIPTION:Doors 7 PM | Show 8 PM \nALL AGES \nOn the heels of two Grammy-winning albums in succession\, with her band Golden Highway—2022’s Crooked Tree and 2023’s City of Gold—plus a nomination for Best New Artist\, Molly Tuttle returns with a solo album that’s her most dazzling to date: So Long Little Miss Sunshine. \nRecorded in Nashville with producer Jay Joyce (Orville Peck\, Miranda Lambert\, Lainey Wilson\, Eric Church\, Cage the Elephant)\, the fifth full album from the California-born\, Nashville-based singer\, songwriter\, and virtuoso guitarist features twelve new songs—eleven originals and one highly unexpected cover of Icona Pop and Charli xcx’s “I Love It.” \nTuttle’s career\, which began at age fifteen\, has charted a course between honoring bluegrass and stretching its boundaries. On this album—a hybrid of pop\, country\, rock\, and flat-picking\, plus one murder ballad—she goes to a whole new place. Her stunning guitar work is more up-front on this album than ever before. (One of the most decorated female guitarist alive\, Tuttle was the first woman to win the prestigious International Bluegrass Music Award’s Guitar Player of the Year in 2017\, at age twenty-four\, and won again the following year\, with nominations nearly every year since; she has also won Americana Music Association’s Instrumentalist of the Year award.) So Long Little Miss Sunshine also features Tuttle playing banjo\, something she’s never done on one of her albums before. \n“I like to be a bit of a chameleon with my music\,” she says. “Keep people guessing and keep it full of surprises.” \nTuttle has been slowly building this collection of songs over the last five years\, while also writing and releasing two hugely successful albums and a six-song EP (last year’s Into the Wild) and playing more than 100 shows each year with Golden Highway. Along the way she’d send songs to Joyce\, who she first started talking to about collaborating on the album a few years ago. \n“I’ve been wanting to make this record for such a long time. Part of me was scared to do such a big departure\, and that went into the album title So Long Little Miss Sunshine. It’s like\, ‘You know what? I’m just not going to care what people think. I’m going to do what I want.’” \nThe album was recorded with a group of musicians that includes drummer/percussionists Jay Bellerose and Fred Eltringham\, bassist Byron House\, and Joyce on multiple instruments. Ketch Secor (Old Crow Medicine Show) also plays banjo\, fiddle\, and harmonica\, as well as singing harmony. \nTuttle also conceived the artwork for So Long Little Miss Sunshine\, which features multiple Mollys\, each wearing a different wig except for one with nothing on her head at all. (“I probably own as many wigs as I own guitars\,” she says.) Tuttle has been bald since she was three years old due to the autoimmune condition alopecia areata; she acts as a spokesperson for the National Alopecia Areata Foundation. \n“I love raising awareness\,” she says. “I talk about it onstage a lot and broaden it to include anyone who’s ever had something that makes them stick out and look or feel different from others. Playing my song ‘Crooked Tree’ live is very meaningful to me\, because it’s a moment where sometimes I’ll take off my wig and talk about my struggles with self-acceptance.” \nOne album track\, “Old Me (New Wig)\,” is “about leaving all these things behind that don’t serve you anymore\,” she says. “Parts of yourself that really aren’t in your best interest\, like low self-esteem\, anxieties\, and not feeling confident. Learning to own these different aspects of my personality but not letting them control me is another theme of the record that inspired the album title and the cover art. Those are all things I’ve struggled with through the years—just feeling like an impostor\, like I wasn’t good enough. I like singing this song because there are days when I still have to tell myself to leave that stuff behind.’” \nMost of the So Long Little Miss Sunshine songs were co-written with Secor\, who is also Tuttle’s partner. “We spend so much time together\, we live together\, and anytime I have a song idea\, or he has one\, it’s just so easy to transition from whatever we’re doing into writing a song.” \nAlthough they were written in different times and circumstances\, Tuttle found to her surprise that the songs were all tied together by interwoven themes. The opening track\, “Everything Burns”—a dark\, intense\, big-guitar song—was written in 2020\, during the chaos and division of the start of the Covid pandemic. It might as easily refer to the current chaos and division in America since Election Day 2024\, though. In fact\, they recorded it the day after the election. \nThere are several songs about traveling—sometimes down the open road\, like “Highway Knows” and “Oasis”—but also back in time\, as on “Easy” and “Golden State of Mind.” \nThe record also tells “a kind of coming-of-age story\,” Tuttle says. “‘Golden State of Mind’ is one of the songs I feel is a through-line to that. It makes me think about people I’ve been close to in the past that I’ve drifted away from\, and about growing up and figuring out who you are.” \nThat theme is in turn picked up in the beautiful ballad “No Regrets\,” one of the last songs Tuttle wrote for the album. “It’s about looking back on your life and thinking\, ‘Well\, maybe I could have done things differently\, but if I hadn’t made certain mistakes or gone down certain roads\, then I wouldn’t be here.’ And I really like where I am now!” \nSo Long Little Miss Sunshine closes\, as her last two albums did\, with an autobiographical song\, “Story of My So-Called Life.” “This is me looking back on my life\, from growing up to going to school in Boston to moving to Nashville to where I am now—taking stock of all these pivotal moments throughout my life that made me who I am. I feel like after I’ve said so much in all the other songs\, it’s just kind of nice to end it on a note of\, ‘Here’s how this all came to be\,’” she says. \n***** \nEarlier this year\, Tuttle played guitar and sang on Ringo Starr’s new country album\, Look Up. She also played with him and a host of other stellar musical guests at Nashville’s Ryman Auditorium and Grand Ole Opry as part of his televised Ringo & Friends shows. She was inspired by his fearlessness in following his passion for country music. “It is cool to see someone like that who has done everything you could imagine doing in a music career and he’s still just so psyched and still has a list of things that he wants to accomplish\,” Tuttle says. \nLooking back on her own career\, Tuttle admits that she also has pursued what interests her: “It has never been a cookie-cutter thing where I’m just going down a straight road. I always had this crooked path.”
URL:https://wruw.org/event/molly-tuttle-w-town-mountain-cecilia-castleman/
LOCATION:Globe Iron\, 2325 Elm St.\, Cleveland\, OH\, 44113\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://wruw.org/wp-content/uploads/2025/07/0912-Cleveland-MollyTuttle-1920x1080-1.jpg
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DTSTART;TZID=America/New_York:20250915T190000
DTEND;TZID=America/New_York:20250915T190000
DTSTAMP:20260411T085228
CREATED:20250801T055206Z
LAST-MODIFIED:20250903T195513Z
UID:760000-1757962800-1757962800@wruw.org
SUMMARY:Sparks - MAD! Tour
DESCRIPTION:Doors 7 PM | Show 8 PM \nALL AGES \nSparks is an American pop and rock duo formed by brothers Ron (keyboards) and Russell Mael (vocals) in Pacific Palisades\, Los Angeles in 1971. The duo is noted for their quirky approach to songwriting; their music is often accompanied by sophisticated and acerbic lyrics—often about women\, and sometimes containing literary or cinematic references—and an idiosyncratic\, theatrical stage presence\, typified by the contrast between Russell’s animated\, hyperactive frontman antics and Ron’s deadpan scowling. Russell Mael has a distinctive wide-ranging voice\, while Ron Mael plays keyboards in an intricate and rhythmic style. Their frequently changing styles and visual presentations have kept the band at the forefront of modern\, artful pop music.
URL:https://wruw.org/event/sparks-mad-tour/
LOCATION:The Agora\, 5000 Euclid Ave.\, Cleveland\, OH\, 44103\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://wruw.org/wp-content/uploads/2025/08/0915-Cleveland-Sparks-1920x1080-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250916T190000
DTEND;TZID=America/New_York:20250916T190000
DTSTAMP:20260411T085228
CREATED:20250328T024339Z
LAST-MODIFIED:20250328T024339Z
UID:759184-1758049200-1758049200@wruw.org
SUMMARY:Brian Jonestown Massacre
DESCRIPTION:Tue Sep 16\, 2025 \nAges: All Ages\nDoors Open: 7:00 PM\n\n\nNamed in tribute to the legendary Rolling Stones guitarist and his influence in introducing Eastern culture and music into the world of Western rock & roll\, the Brian Jonestown Massacre formed in San Francisco\, CA\, in 1990. Some 40 different members passed through the group’s ranks over the next half-decade\, but their focal point always remained singer/guitarist Anton Newcombe\, who along with bassist Matt Hollywood\, guitarist Dean Taylor\, organist Mara Regal\, accordionist Dawn Thomas\, drummer Brian Glaze\, and “Spokesperson for the Revolution” Joel Gion\, recorded the Massacre’s 1995 shoegazer-influenced debut LP\, ‘Methodrone.’ A collection of early recordings\, ‘Spacegirl and Other Favorites\,’ followed on the band’s own Tangible label in early 1996\, and was the first of four Brian Jonestown Massacre LPs to appear that year. Next up was the brilliant\, ‘Their Satanic Majesties’ Second Request\,’ a full-blown homage to the Stones’ glorious psychedelic-era excesses. Recorded live in the studio\, the grittier ‘Take It from the Man!’ found the band exploring even broader territory. Finally\, the year ended with the release of ‘Thank God for Mental Illness\,’ a showcase for strong country and blues leanings. \nIn 1997\, the BJM — now consisting of Newcombe\, Hollywood\, Gion\, Taylor\, Peter Hayes and drummer Brad Artley — resurfaced with ‘Give It Back!’ After signing to TVT\, they released ‘Strung Out in Heaven’ the following year\, but the band’s own eccentricities kept them from staying on the label. After a few scattered EPs\, they resurfaced in 2001 with ‘Bravery\, Repetition and Noise\,’ distributed by Bomp. ‘And This Is Our Music’ followed in 2003. Despite a continued lack of major distribution\, the Brian Jonestown Massacre earned the largest profile of their career in 2004\, when the band became the unlikely focus of an award-winning documentary\, ‘DIG!\,’ which charted the trials of Newcombe and those of his rival\, Courtney Taylor\, leader of the Dandy Warhols. The ‘We Are the Radio’ EP followed in August 2005. \nThree years later\, Anton Newcombe reinvented the band as he had obtained all the releases of his past albums & formed his own label\, ‘a’ Recordings. His first new album on this label was ‘My Bloody Underground\,’ featuring yet another lineup and a hint of shoegaze and noise pop. ‘Who Killed Sgt Pepper?’ followed shortly after\, being made available in streaming format at the end of 2009 and receiving an official release on February 27th\, 2010.
URL:https://wruw.org/event/brian-jonestown-massacre/
LOCATION:Globe Iron\, 2325 Elm St.\, Cleveland\, OH\, 44113\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://wruw.org/wp-content/uploads/2025/03/0916-Detroit-BrianJonestownMassacre-1920x1080-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250917T190000
DTEND;TZID=America/New_York:20250917T190000
DTSTAMP:20260411T085228
CREATED:20250507T013102Z
LAST-MODIFIED:20250507T013102Z
UID:759451-1758135600-1758135600@wruw.org
SUMMARY:Superchunk
DESCRIPTION:WED\, September 17\, 2025 \nALL AGES \nDoors: 7 PM \nFollowing a series of worldwide tours celebrating the 30th anniversary of their landmark album Foolish in 2024\, Superchunk’s return to the road is heralded by “Bruised Lung\,” their first new song in over a year. Since releasing their first 7-inch in 1989\, Superchunk have run the gamut of milestone albums: early punk rock stompers\, polished mid-career masterpieces\, and adventurous curveballs. “Bruised Lung” finds them as vital as ever\, a scorching guitar anthem that at once recalls what has earned Superchunk their reverent following while looking forward to their future. “Bruised Lung” is elevated by Merge Records favorite Rosali on lead guitar and backing vocals. Catch Superchunk all over the country this fall.
URL:https://wruw.org/event/superchunk/
LOCATION:Grog Shop\, 2785 Euclid Heights Boulevard\, Cleveland Heights\, OH\, 44106\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://wruw.org/wp-content/uploads/2025/05/superchunk_2025east_local_1920x1080-copy.jpg
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DTSTART;TZID=America/New_York:20250925T190000
DTEND;TZID=America/New_York:20250925T190000
DTSTAMP:20260411T085228
CREATED:20250721T050451Z
LAST-MODIFIED:20250721T050451Z
UID:759901-1758826800-1758826800@wruw.org
SUMMARY:Dry Cleaning w/ Infinity Knives + Brian Ennals
DESCRIPTION:Doors 7 PM | Show 8 PM \nALL AGES \nAs soon as Dry Cleaning finished their debut album New Long Leg – critically acclaimed across the board and number four in the UK album charts – they immediately set about moving fowards. Having already started writing their second record before their first was released\, they proposed to producer John Parish that they spend twice as much time on the follow-up\, Stumpwork. \nListen to the album and you can feel that increased boldness – vocals which coil tightly around deft and complex riffs\, great meshes of instrumental texture and the willingness to launch into full-on abstraction. It is a heady mix that is entirely Dry Cleaning’s own\, distinguishing from their contemporaries. “We felt more confident\,” says guitarist Tom Dowse. “We could see the bigger picture and knew where to focus our energy more efficiently.”
URL:https://wruw.org/event/dry-cleaning-w-infinity-knives-brian-ennals/
LOCATION:Beachland Ballroom\, 15711 Waterloo Rd.\, Cleveland\, OH\, 44110\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://wruw.org/wp-content/uploads/2025/07/Dry-Cleaning-FB-Event-3.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250927T190000
DTEND;TZID=America/New_York:20250927T190000
DTSTAMP:20260411T085228
CREATED:20250721T051000Z
LAST-MODIFIED:20250721T051000Z
UID:759904-1758999600-1758999600@wruw.org
SUMMARY:Lene Lovich w/ Metrolight
DESCRIPTION:Doors 7 PM | Show 8 PM \nALL AGES \nLene Lovich\, the Post-Punk/New Wave icon who could count John Lennon and Frank Zappa among her fans\, is set to return to the United States for the first time in 18 years this fall. She will undertake her first full North American tour in 35 years\, playing 25 shows across the country beginning in Des Moines on September 16th. \nBorn in Detroit\, Lene and her mother relocated to the city of Hull in northern England when Lene was 12 years old. Inspired by the music of her hometown as well as the flamboyant “British Invasion” sounds coming out of swinging London in the 1960s. She had a particular fondness for fellow American expat Jimi Hendrix\, and recalled that although she had no money for the bus fare and was too young to legally attend the concert\, when Hendrix played in Hull she slipped out of the house and walked all the way across the city to sit outside the stage door and listen to him play. \nLovich moved to London in the mid-1970s just as the Sex Pistols were about to seize the nation by the proverbial throat\, forming a band with her partner Les Chappell\, and soon beginning to make a name for herself with her flamboyant style and effervescent live performances. She came to the attention of Oval Music moguls Charlie Gillett and Gordon Nelki\, whom had recently helped to launch the careers of Ian Dury and Elvis Costello\, taking Lene to the same independent record label\, Stiff Records\, that had been at the vanguard of punk and New Wave in the UK\, with debut releases from The Damned and Devo\, as well as the aforementioned Dury and Costello\, and Stiff Records house producer Nick Lowe. \nLene rocketed to the top of the UK charts with her second single on Stiff\, the unforgettable “Lucky Number”\, in 1979. The success of the single propelled her debut album Stateless to instant cult status\, where it remains to this day\, a classic of its time and hugely influential on the burgeoning 1980s post-punk Goth subculture. Lene’s second album\, Flex\, released in 1980 was arguably even more influential in the United States than Stateless. \nLene toured America successfully many times during the 80s\, and her band included Thomas Dolby on keyboards\, with whom she co-wrote her biggest selling US single “New Toy”. Her third album\, No Man’s Land\, released in 1982\, seemed poised to become her commercial breakthrough in America. Alas by then her relationship with Stiff had deteriorated. She released the album March in 1989 on the independent label Pathfinder Records\, and toured America one more time\, in 1990\, subsequently retreating from the limelight to raise a family in rural England. \nSporadic collaborations and extremely rare live appearances was all that was seen of her for many years\, until the release of the album Shadows and Dust in 2005. With her daughters now grown up\, Lene returned to regular live performances in 2012 when she and guitarist Jude Rawlins formed the Lene Lovich Band to take her classic material back on the road. The band garnered huge acclaim across the UK and Europe\, where they have toured consistently ever since. Finally\, in 2025\, America will get the chance to see what they’ve been missing for far too long\, the iconic and unique Lene Lovich at full volume.
URL:https://wruw.org/event/lene-lovich-w-metrolight/
LOCATION:Beachland Ballroom\, 15711 Waterloo Rd.\, Cleveland\, OH\, 44110\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://wruw.org/wp-content/uploads/2025/07/Lena-Lovich.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250928T190000
DTEND;TZID=America/New_York:20250928T190000
DTSTAMP:20260411T085228
CREATED:20250523T014457Z
LAST-MODIFIED:20250523T014457Z
UID:759520-1759086000-1759086000@wruw.org
SUMMARY:Godspeed You! Black Emperor
DESCRIPTION:SUN Sep 28\, 2025 \nDoors 7 PM | Show 8 PM \nALL AGES \n  \nGodspeed You! Black Emperor is a Canadian post-rock collective that originated in Montreal\, Quebec in 1994. The group releases recordings through Constellation\, an independent record label also located in Montreal. The group released their debut album F♯ A♯ ∞\, in 1997 and toured regularly from 1998 to 2003.
URL:https://wruw.org/event/godspeed-you-black-emperor/
LOCATION:Globe Iron\, 2325 Elm St.\, Cleveland\, OH\, 44113\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://wruw.org/wp-content/uploads/2025/05/0928-Cleveland-GodspeedYouBlackEmperor-1920x1080-2.jpg
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